Leafboy’s MOLT  is a self-produced debut album rooted in bedroom pop and indie textures, built around intimacy, restraint, and emotional exposure. The album moves through questions of self-identity, unrequited connection, heartbreak, loss, and gradual recovery, returning often to the idea of shedding parts of the self in order to grow. Across the record, vocals stay close and understated, allowing fragility and uncertainty to remain audible rather than smoothed out, while the

Poetry and songwriting, oftentimes, are two sides of the same coin. The art of conveying deep, heart-rending sentiments in a song is nothing short of poetic; this forms the very crux of Larry Beckett's Though We Have Only Love- The Songs of Jacques Brel. The well-reputed poet devotedly took up a visionary and massive undertaking, one of revamping the chansons penned by the Belgian icon Jacques Brel into modernistic, yet timeless music.  A distinguished personage in contempora

Cam Ezra’s Dead Internet  runs across sixteen tracks of cloud rap, lo-fi, electronic textures, and pop and R&B inflections, tracing a mental space shaped by constant connectivity, algorithmic feedback, and emotional overload. The album moves through unease, irony, self-observation, and withdrawal, returning often to ideas of surveillance, performance, control, and fatigue without turning them into slogans or arguments. Vocals sit between confession and detachment, while the p

After dedicating years to learning the ropes of the music industry, YGUANA has struck a bold entry into the pop realm with the colorful, yet refreshingly direct All Because I Liked Men. The EP offers confectionery hooks expected from a dance-pop project, but not shying away from candor in its songwriting— YGUANA's upfront lyricism is an effective medium for true feelings, be it stinging heartbreak or indulgent self-love. Some might deem YGUANA's sudden emergence as initial st