Myselfson is steadfast in their experimental ambitions with the latest album "Resistance."

Experimentation seems to be the core priority for Myselfson, as their trademark from prior work has very much seeped into the second project "Resistance." The indie duo is engrossed in blurring the genre lines between electronic and rock, and thus the singular nature of this album stands out in the sprawling twelve-song line-up contained within it. Not targeted for a general audience, Myselfson has shunned slick modernistic production for something raw and innovative— and perhaps the sole reason for its bold title.

Formed around 2009, Myselfson (formed by Jarl Myselfson and Frank Nordag) came to be, sharing mutual interests like synth-pop and 90s industrial dance music. They seem to have a passionate fixation on reviving the sounds of Depeche Mode and other like-minded alternative dance artists, a constant mainstay of their creations. More often than not, technical imperfections and inclination for a creative flair lend a distinctive touch to what they have to offer (resonating with the spirit of indie music, as some might say). "Memory Park" served as the debut effort, also carrying several tracks, and ultimately became the launchpad for what would be their sophomore venture some years later. "Resistance" is not merely an extension of its predecessor, but a statement of musical versatility that the band wants to highlight.

Although how so? The album encases complementary remixes from other creatives, unreleased demos and covers, and a particular lean towards classical music that broadens its horizon. We start off with "Prélude," a piano overture offering a rippling, introspective initiation— from there, Sasha Mate 2.0 gives an euphoric twist to "Rain and Pain": a lean and energetic electro beat laced with Faithless style pizzicato plucks. The first single unveiled for the album, "Resistance" combines chugging arpeggiated bass and blunt kick drums in a broody dance number (whose official video comes out in September). Production idiosyncrasies are littered throughout the beat (like the glitchy electro-funk outro at the end), introducing more grit and individuality. Amidst all these, the vocals urge the listeners to rebel for precious freedom in confining modern lives.

However, the album doesn't let rawness consume itself— a tenderness exists in tunes like "To Love Again," an electro ballad with romantic lyricism and dreamy synth pads. Similar attributes follow in the cover "By Your Side" by Waiting for Words: an appealing blend of softer bass notes and drums backs the earnest crooning. "Das Ist Unsere Welt" is another bold and defiant tune, as distorted guitar tones and synth-generated ambiance clash to produce darker and ominous undercurrents.

What starts as something carefree and optimistic, "Home, Sweet Home"  brims with metaphorical lyricism and bittersweet melodies on a light synth-pop cadence; that's not the case by its end, as grungier sounds flip the temperament by 180 degrees. Clocking around nine minutes, Myselfson embraces further unconventionality by going full ambient. The soundscape gradually unfurls, introducing a variety of textural and droning sounds alongside frankly unexpected additives (like monstrous growls), augmenting the experience into something straight out of a horror flick. Ultimately, the choice of positioning this as the finale testifies to the band's ingenuity and dynamic mindset.

Listen to "Resistance" on Spotify and Bandcamp, and follow Myselfson on Instagram.