Steinsdotter Drops ‘twice born’ Mixtape With 11-Track Release

Steinsdotter’s twice born is an eleven-track mixtape that places earlier singles and new recordings within the same release, making the way the tracks are ordered just as important as the material itself. Songs like God’s Own Speed, 5D, and HoneyBee already had their own context before this, but here they sit alongside newer cuts such as h0e$, Trollmor, and Inspired by Gilgamesh, where the contrast between them becomes more noticeable across the full tracklist. The newer material, including tracks recorded in Mexico City, shifts the pacing at certain points, but the project does not break away from its direction. Instead, the tracklist holds its structure, allowing different influences and collaborators to sit within the same space without pulling the release apart.

Placing ‘twice born’ Within Steinsdotter’s Recent Run Of Music

Before twice born, Steinsdotter had already released several of the tracks that now appear on the mixtape, including God’s Own Speed, 5D, HoneyBee, The Village (Occult Hardware Remix), LDN calling CDMX, and Air (Ncient Remix). These were not quiet releases either. HoneyBee stood out in particular, reaching the UK club charts and receiving a Record of the Day feature, which placed her work in front of a wider audience at that point. Each of these tracks came out at different stages, with their own rollout and reception, so they carried a distinct identity before being grouped into this project. Bringing them together here changes how they are approached, especially when they appear in close succession instead of being spaced out over time. It also places more attention on how these tracks relate to each other, since they now sit within the same sequence instead of being separated by release cycles. That shift makes the earlier material feel more connected, without relying on anything outside the mixtape itself.

The newer material adds another layer to this, especially with tracks recorded in Coyoacán, Mexico City, including Return In, Trollmor, and Leonard Cohen Was Right. These recordings introduce different references, from a reworking of a Norwegian lullaby on Trollmor to the literary influence behind Inspired by Gilgamesh, while still keeping within the same space as the earlier releases. There are also smaller details that stand out, such as Takatsuna Mukai’s contribution on Portuguese guitar, which brings in a different texture without shifting the direction of the project. The list of collaborators across Mexico, London, India, and Norway is reflected across the tracklist, but it does not divide the release into separate parts or styles. Instead, these contributions appear throughout the mixtape in a way that feels continuous, with no clear break between older and newer material. This keeps the focus on the full project, where the tracks connect through their placement and timing within the release.

What The New Material Adds Across The Tracklist

The newer material on twice born starts to become more noticeable once the mixtape moves past the earlier singles, especially when h0e$ appears after that opening run. It was released on February 27 ahead of the full project, so it already had its own entry point before being placed here. Within the mixtape, its position changes how it comes across, as it arrives after a sequence of tracks that were already familiar, which makes the shift in sound more immediate. It does not rely on a transition to signal that change, it simply appears at that point in the tracklist, which makes its placement more deliberate when listening through the project in order. This is also where the newer recordings begin to separate themselves more clearly from the earlier releases, not by standing apart, but by altering how the sequence moves forward.

That continues with Return In, which developed out of a studio jam inspired by In The Little Way That I Can. The track carries that origin into its structure, where repetition becomes more central to how it unfolds, and that difference becomes clearer when it follows h0e$. Instead of continuing the same approach as the earlier singles, it shifts how the pacing works at that point in the mixtape. Further along, Trollmor brings in a direct reference to a traditional Norwegian lullaby, while also featuring Takatsuna Mukai on Portuguese guitar, which adds a distinct layer to the recording given how quickly the instrument was picked up during the session. Inspired by Gilgamesh moves in a different direction again, drawing from one of the earliest known literary works, which introduces another reference point without separating itself from the rest of the project. Closing this run, Leonard Cohen Was Right connects back to songwriting more directly and has already been carried into live performances, which changes how it is recognised within the release. Across these tracks, the newer material does not sit outside the earlier singles, but it does shift how the second half of the mixtape unfolds when everything is heard together.

By the time twice born reaches its final track, the way the mixtape has been put together becomes clear through the tracklist itself. The earlier singles no longer feel separate from the newer recordings, especially after they have been placed back-to-back across the full eleven tracks. Details such as the Mexico City sessions, the Norwegian lullaby on Trollmor, and the literary reference behind Inspired by Gilgamesh remain part of the project without needing to be over-explained. The collaborations across London, Mexico, India, and Norway also appear across different points in the mixtape, but they do not divide it into sections. What carries through is the way the tracklist holds everything in one line from beginning to end, where each track follows the last without breaking the flow or repeating the same idea.

Stream twice born on Spotify, and stay tuned with Steinsdotter on her website and Instagram.