
Making a remarkable return after a three-decade hiatus is the indie rockers THE GETTING PRETTY, and their reunion has resulted in an eight-track comeback album that finds the creative triage outputting a sound that's laden with momentum and sentiments. Contemplative verses and revving choruses are just the highlights of their newest effort "Fainted," which duly pays homage to the apex days of 90s alt-rock, not devoid of a modernist approach to garner the attention of today's listeners.
THE GETTING PRETTY are by no means amateur, despite their re-introduction: the musical band, which set off as a quartet, claimed success during the dawn of the '90s, after testing their demos on samplers back in '89. Mustering conviction, they unveiled their titular debut album. Following this was the label-signed "Jesus The Showgirl" on DayGlo Records and a hectic touring schedule. Despite receiving a warm reception from critics and audiences alike, they chose to call it quits in 1995; that was until now when three of the original members decided to resuscitate the moniker and utilize their cumulative experiences to achieve new heights.
Although a sizable chunk of time has passed since their entree, a remastered version of their first album is available for everyone's ears. This precursor LP roams from grunge rock to folksy alt-rock (every bit 90s with this range), extending from melodic and introspective numbers like "Colours" and "Waiting" to the barraging and cathartic "Problem Child."
After teasing parts of the album since late last year, the German band broke radio silence in 2025. Right from the inaugural tune "Life Control," the maturity in their sound signature is audible; the vocalist is wise, and pensive over a controlled raucous of scratchy guitars and distorted vocal layers. After this, "UpnDown" begins on strong chords, as the slew of grainy guitars and sustained drums lofts the calmer and mellow singing. The metronome is set faster for the third track "4 Sale," a rowdy punk-rock tune with rebellious guitar riffs and upbeat hooks.
Lead single "Fainted" takes a similar route, dynamic in its disposition but remaining steadfast with the robust instrumentality, constantly switching between introspective and anthemic moments (while adeptly maneuvered by the pensive vocals). The resonating twangs of indie-rock greeted us after on "The Girl" with glimmering post-punk era jangle-pop guitars, creating a dreamy and lush experience for those witnessing. Here's the official music video for the track:
The precedent set by "Fainted" is impressive: thoughtful songwriting and vocal renditions marry unfettered, authentic alt-rock teeming in propensity and melodies. Listen to the album on Spotify and stay tuned with the band on Instagram.
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