From I’m Not Fine to Tengo Que Irme: Exploring Darzini’s Waves of Paramnesia
- asonginlife
- Oct 11
- 3 min read

Prateek Chachra, known professionally as Darzini, is an electronic music composer and producer influenced by artists such as Deadmau5, Calvin Harris, and Zedd. His catalog includes both piano-based songs and electronic productions, as seen in earlier releases like Regrets and Grievances. Darzini’s music often centers on clear melodies and lyrics that reflect personal experiences, giving his projects a consistent identity.
Waves of Paramnesia is his latest release, a ten-track album that combines piano ballads, pop songs, and electronic tracks. The collection includes pieces such as I’m Not Fine, Lost On Me, and the Spanish-language Tengo Que Irme. Across the record, themes of heartbreak, reflection, and closure appear in different forms, showing how Darzini shapes his ideas through varied production styles.
Waves of Paramnesia: Where Piano Meets EDM
The album includes ten songs that move between piano ballads, electronic productions, and one track in Spanish. I’m Not Fine opens the record with piano and vocals, capturing the feeling of holding onto memories after a breakup. The Lies follows a different path, built around electro house elements that echo the sound of the early 2010s. Across the tracklist, Waves of Paramnesia alternates between personal reflection and electronic intensity, showing the two main sides of Darzini’s style.
I’m Not Fine
The first track opens with piano and vocals, pulling the listener into the weight of a breakup. The lyrics dwell on holding onto memories and the difficulty of moving forward. It feels like one of the most personal moments on the album, and it makes sense that this was among the first songs Darzini wrote. Its early reception showed that listeners connected immediately with its honesty.
Lost On Me
As Darzini’s first step into pop, this track captures the slow unraveling of love. The production is lighter compared to his electronic work, but the theme of drifting apart is clear in the writing. Reaching more than 100 views on YouTube on its first day, it marked a small but important moment of recognition, proving his music could connect outside the usual circle.
The Lies
This is where Waves of Paramnesia pushes into electro house. Written live on YouTube, the track carries the feel of early 2010s dance music, pairing its beat with lyrics about dishonesty and truth surfacing. It is one of the more energetic points of the record and a reminder of Darzini’s electronic influences like Deadmau5 and Zedd.
Feel So Alone
The sixth track is an EDM cut that had been in the making for years. Originally created five years ago, it was reshaped and given new life with vocals. The theme is one of isolation and self-doubt, but the production gives it presence and weight, making it one of the album’s most powerful pieces.
Tengo Que Irme
This Spanish-language song strips everything back to piano and voice. Its lyrics are about walking away once everything is finished, a sentiment that resonated strongly with listeners. It went on to draw the most views of any song from the album, showing how the decision to write in another language broadened Darzini’s appeal.
Beyond these five central songs, the rest of the album builds on similar themes of heartbreak, regret, and eventual acceptance. Tracks like Another Possibility and Windows bring lighter moments, while Keep Hoping, Can’t Stand It, and A Sad End return to the cycle of loss and reflection. Together, they round out the record’s narrative, making Waves of Paramnesia feel like a complete journey from denial to closure.
In the end, Waves of Paramnesia is less about experimenting with new formulas and more about presenting different sides of the same story. Whether through piano and voice or electronic production, Darzini keeps the focus on emotion and memory. By shifting between languages, styles, and moods, he shapes an album that documents the process of holding on, letting go, and moving forward. For listeners, it is not just a collection of songs but a window into the way an artist works through experience and turns it into music.



Comments